Kill List
Ex-squaddie Jay
(Neil Maskell) is not a happy bunny.
Unemployed for eight months, his back’s killing him, the credit card’s
been cancelled, his wife Shel (MyAnna Buring) is getting narked having him
around the house and the Jacuzzi needs fixing. So when, during a disastrous dinner party with old army mate
Gal (Michael Smiley) and his new girlfriend Fiona (Emma Fryer), Gal mentions a
lucrative business proposition, Jay decides it’s time he went back to
work. Of course, he and Gal aren’t
plumbers; they’re contract killers and, in the time-honoured tradition of hit
man movies, this is going to be their one last job before retirement. As ever, things don’t go according to
plan.
Meeting their
sinister, mysterious client (the creepy Struan Rodger) at a desolate hotel, he
slashes Jay’s hand, insisting on signing the contract in blood. He gives them a list of targets, three
people they must kill, drops hints that he knows more about them than he
should, unsettling them. The first
target is a priest, his acceptance of his fate unnerving them further. The second is a child pornographer who
not only accepts his fate but welcomes it, thanking Jay even as he beats him to
death. Slowly, the boys realise
they may be in over their heads…
To reveal much
more of the plot would reveal just how out of their depth our heroes are. The script by Ben Wheatley & Amy Jump
crackles with some killer dialogue and a powerful sense of foreboding as it
sucks us deeper and deeper into its labyrinthine darkness.
Building slowly from scenes of unhappy domesticity, the script grips as
Wheatley & Jump slowly, precisely, turn the screw on their protagonists,
damning them to a Hell they voluntarily walk straight into.
Slicker and more
assured than his debut feature Down Terrace which played like an episode of The
Sopanos directed by Mike
Leigh, director Wheatley’s Kill List morphs slowly, seamlessly, from a hit man thriller into
something altogether darker as the likable Jay and Gal work their way through
the titular list, a palpable sense of menace building as they relentlessly
pursue their own doom.
As Jay, Maskell
is the raging heart of the film, a damaged, essentially good man who’s just
trying to do right by his family, battling forces he’s ill-equipped to deal
with while Smiley’s Gal is both the more gregarious, outgoing member of the
partnership and the steadier, attempting to rein in Jay’s behaviour as his
friend succumbs to the demons that plague him, giving in to the savagery
lurking beneath the surface. The
chemistry between the two actors sings, both men conveying not only the
characters mounting sense of dread and paranoia but, as they banter and bicker,
their friendship and, ultimately, their humanity.
The violence
when it comes is shockingly visceral and coupled with the film’s dreamy,
nightmarish atmosphere, lends it a surreal, almost hallucinatory feel. Wheatley has grown in confidence as a
director since Down Terrace and Kill List is a refreshingly bleak, ambiguous film that keeps you guessing
right up to the final, devastating twist.
Some of the horror fanatics among you might see the ending coming but it
still packs a wallop you’ll feel in your guts. Smart, subtle and funnier than a film this scary has a right
to be, Kill List is a
dark, disturbing genre mash-up that doesn’t disappoint.
David Watson
Director
Ben Wheatley
Starring
Neil Maskell, Michael Smiley, MyAnna Buring, Struan Rodger, Emma Fryer
Screenplay
Ben Wheatley & Amy Jump
Country
UK
Running time
95mins
Year
2011
Certificate
18
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