Restless
In Gus Van Sant’s 1991 movie My Own Private Idaho,
River Phoenix’s narcoleptic rentboy had a tendency to just drop off throughout
the film. 20 years later,
audiences may find themselves doing the same during his latest film, Restless. Selling your ass is however optional.
Enoch (Henry Hopper) is a bit of a shoegazing
mope. And not in a fun,
self-harming Goth kinda way.
Obsessed with death, he spends his days gatecrashing funerals and
throwing stones at trains with his only friend Hiroshi (Ryo Kase), the ghost of
a World War 2 Japanese kamikaze pilot who may be imaginary.
At one funeral he meets his soul mate, Annabel (Mia
Wasikowska), a cute, quirky girl who’s dying of one of those tragic but
photogenic brain tumours where the cute, quirky girl never looks ill, loses her
hair, becomes incontinent or pukes on herself at any point. The tumour may be affecting her
decision-making however as, for no discernible reason, she throws herself into
a bittersweet, doomed romance with Enoch, reawakening in him a passion for
life.
And that’s pretty much it. Enoch and Annabel are impeccably geek-chic styled kids who
are too cool for school.
Literally. Neither teenager
bothers with school. They spend
their days hanging out in cemeteries, drawing chalk outlines around themselves,
reading about Darwin and learning to play the xylophone until Annabel’s
inevitable end.
Restless isn’t a bad
film, it’s just whimsy by numbers.
Soporific and self-consciously, teeth-rottingly, cutesy, the film
borrows plot elements from Harold And Maude (death
obsessives in love), Love Story, Autumn In New York and Sweet
November (all feature annoyingly quirky girls snuffing it
tragically, photogenically young).
The protagonists are quirky, laid-back, hipsters who look like they’ve
wandered in from the sidelines of a Michael Cera film and spout the kind of
stilted, self-conscious, wistful dialogue you’d expect from a Zach Braff or Wes
Anderson movie.
Enoch and Annabel aren’t disagreeable company for 91
minutes (ok, he’s a bit of whiney hemorrhoid) but you’ve just seen them too
many times before. Enoch is
emotionally constipated, Annabel is a prime example of what American film
critic Nathan Rabin termed the manic pixie dream girl, “that bubbly,
shallow cinematic creature that exists solely in the fevered imaginations of
sensitive writer-directors to teach broodingly soulful young men to embrace
life and its infinite mysteries and adventures.” She’s not a character; she exists
simply to kick-start Enoch’s emotional growth AND THEN DIE!
The spitting image of his father Dennis, it’s
unfortunate that, at least on the evidence here, Henry Hopper hasn’t inherited
any of his mercurial talent.
Despite playing Battleship with a dead
Japanese suicide bomber (the films best joke), Enoch’s a mopey, whiny,
adolescent and that’s exactly how Hopper plays him. You spend much of the film wondering just what Annabel sees
in him and the rest wondering when he’ll grow a pair. One of the recent crop of phenomenally talented and
beautiful young actresses (Abbie Cornish, Emily Hampshire) that seem to be
being bred in a greenhouse somewhere in Australia, Mia Wasikowska is the best
thing in the film, breathing life into the ragbag of quirks and clichés she has
instead of a character. She deserves
better than this dull, formulaic, knowing nonsense.
Sentimental, self-consciously hip and self-indulgent,
two-thirds of the way in Restless will make you
wish the quirky, pretty, terminally-ill, dream girl would just hurry up and
die.
David Watson
Director
Gus Van Sant
Cast
Henry Hopper, Mia Wasikowska, Ryo
Kase, Schuyler Fisk
Written by
Jason Lew
Country
USA
Running time
91 minutes
Year
2011
Certificate
PG
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