Side
Effects
May
cause drowsiness
“Medication.
Medication. Medication.
That’s what you need.
If you wanna be the best,
and you wanna beat the rest.
Oo-ooh! Medication’s what you need.”
These
weren’t the actual lyrics to BBC1’s Record Breakers theme song but, if you’re of
a certain age, you may well have sang them in the school playground and it’s our increasing reliance on medication that lies at
the heart of Steven Soderbergh’s new thriller Side Effects.
When
her husband, disgraced insider trader Martin (Channing Tatum), is released after serving a
four-year sentence, highly-strung Emily Taylor (Rooney Mara) struggles to adjust to his
return and slips into depression.
After
an abortive suicide attempt (she drives her car straight into a wall), Emily
finds herself under the care of slick but caring psychiatrist Dr Jonathan Banks
(Jude Law). After consulting with Emily’s previous
therapist, Dr Victoria Siebert (Catherine Zeta-Jones), Banks prescribes Emily the
newly approved wonder drug, antidepressant Ablixa.
At
first, the drug does indeed work wonders but every drug has side effects and
while Martin has few complaints about Emily’s vastly increased, rampant libido,
her new habit of sleepwalking is a little more disturbing, Emily entering fugue
states which see her prepare breakfast in the middle of the night or zone out
and forget to get off the train and go to work.
Concerned,
Banks proposes changing her medication but Emily is adamant the drug is working
for her, that it’s her best chance at a normal life. Then, in a trance-like state, she commits a shocking act of
violence and finds herself on trial for murder. As Emily’s life unravels, Banks finds himself in the firing
line…
Side
Effects
should probably come with its own prescription warning listing the side effects
that may result from watching Side Effects.
Warning! Watching Side Effects may cause drowsiness during its flabby
middle third.
Warning! Watching Side Effects may cause disorientation as it shifts
gears halfway through and goes from being an exposé of the drug industry to being a
fairly obvious mystery thriller.
Warning! While watching Side Effects, you may experience extreme déjà vu as
the plot is reminiscent of a reheated episode of Midsomer Murders. Albeit classier.
Maybe Lewis then rather than Midsomer.
But you’ve definitely seen this potboiling plot before.
Warning! If you’re planning to watch Side Effects, don’t watch the trailer,
which, like the trailer for the recent Broken City, reveals enough plot in two
minutes to allow a ten-year old whose spent their life in a cave in the Andes
to forecast every twist and turn in its 106 minutes.
With
Side Effects
being Steven Soderbergh’s alleged directorial swan song, he’s publicly said
this will be his last film, this seems as good a time to commit critical heresy
and ask the one question no one’s asking: are we really going to miss him?
From
his earlier, masturbatory work (Sex, Lies And Videotape, Kafka, Schizopolis) through films like Erin
Brockovich
and Traffic,
from his “ironic” modern Rat Pack movies (Ocean’s Eleven through Thirteen) to the wintry narcissism of
more recent films like The Girlfriend Experience and Magic Mike, Soderbergh’s films have been
mostly glossy, smart, good-looking affairs that often feel emotionally vacuous,
chic and elegant but uninvolving.
He’s made 25 films in 25 years and dipped his trotters in genres as diverse
as Sci-Fi (Solaris), Crime (The Limey), Action (Haywire) and Noir (The Underneath,
The Good German)
but be honest; how many of his films have actually moved you?
Like
most of Soderbergh’s oeuvre, Side Effects is slick, stylish, clever and handsome but
it never quite engages you on an emotional level. The first third or so charting Emily’s battle with
depression and her increasing dependence on the quick-fix solution of
antidepressants feels like an exposé of corporate healthcare and big pharma (you mean, drug
companies court doctors by wining and dining them and paying them for their
involvement in trials? I feel so used…),
without actually addressing the real issues or acknowledging the often
life-saving benefits of treatment.
Statistically, 13-15% of us reading this right now are probably taking
an SSRI or
SSNI but Side
Effects never
really engages with this fact, preferring instead the tried and tested “pill-popping baaaaad!” route.
Then,
as Emily faces prison and Banks faces financial and personal ruin, Side
Effects
transforms itself into a fairly obvious, pedestrian mystery thriller that
offers few surprises but holds your attention thanks to Soderbergh’s
machine-tooled precision, his surface gloss and good performances from it’s
protagonists. As Emily, Rooney
Mara gets to display a little more range than she did as lesbian Goth avenger Lisbeth
Salander in David
Fincher’s The Girl With The iPhone, Catherine Zeta-Jones is obviously relishing her ice queen
role and while the idea of lovable lummox Channing Tatum as a financial
whizz-kid is as believable and perverse as casting Barbara Streisand as a
beautiful $500-an-hour hooker (yup, you read that right, $500. An hour!) in 1987’s Nuts, he’s a charming and
sympathetic presence (unlike Babs.
Seriously, $500?). Perhaps the
best thing about Side Effects however is it reminds you just how good an actor Jude Law
is. Handsome and charismatic, he’s
often called upon to be little more than a smug, arrogant smirk. Here he manages the near impossible
making a rich, well-educated, entitled, middle class psychiatrist, fighting to
maintain his privileged lifestyle, not only a sympathetic but likable
protagonist.
Nowhere
near as smart as it thinks it with a final, punitive twist that feels more than
a little misogynistic, Side Effects is an enjoyable slice of glitter. If this really is Soderbergh’s final
film however, you’d think he’d have aimed for something a little less
forgettable…
David Watson
Directed by:
Written by:
Produced by:
Starring:
Genres:
Crime, Drama,
Thriller
Language:
English
Runtime:
1 hour 46
minutes
Certificate:
15
Rating:
3/5
UK
Cinema Release Date:
Friday
8th March
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