Stoker
The
family that preys together…
Unarguably
one of the most interesting and acclaimed filmmakers working in cinema today,
expectations for South Korean director Park Chan-wook’s English-language debut, Stoker, have been practically
stratospheric. Working from a
blisteringly hot spec script by actor Wentworth Miller (TV’s Prison Break), Park has crafted a sly,
twisted, sexy, adult fairytale that’s every bit as good as you hoped it’d be,
rivalling the best of his Korean films.
When
India’s (Mia Waskowska) father Richard (a flashback-confined Dermot Mulroney) is killed in a horrific car
accident on her 18th birthday, her quiet, idyllic life is
irrevocably changed. A sensitive,
sombre, solitary Wednesday Addams-like girl who shared a special bond with
her father, India is far from pleased when her emotionally unstable mother
Evelyn (Nicole Kidman) invites her uncle, Richard’s long-lost, globe-trotting brother,
Charlie (Matthew Goode) to stay at the house for a while.
Charming,
urbane and mysterious, Uncle Charlie instantly arouses India’s suspicions but,
as he ingratiates himself into her life, she finds herself strangely drawn to
him. As Charlie slowly reveals
their shared nature to her and long-buried family secrets are uncovered, India
becomes increasingly infatuated with him, her blossoming sexuality the catalyst
that will tear the family apart.
A
dreamy, erotic Southern Gothic fairytale that slyly nods to Hitchcock’s classic Shadow
Of A Doubt, Stoker is a bubbling soup of lust,
jealousy, murder and burgeoning sexuality that you’ll find as fascinating and
discomfiting as India finds Charlie.
Psychosexual imagery permeates every frame, the film is thick with
erotic tension; blood drips from the point of a pencil, the protective shell of
a flawless hard-boiled egg is crushed and picked clean, a spider creeps up a
teenaged girl’s stockinged leg, uncle and niece share a piano recital
(specifically composed by Philip Glass) that’s just plain wrong! If Stoker is indeed a fairytale with Evelyn as wicked
stepmother and India a mix of Cinderella, Rapunzel and Alice in Wonderland,
then Charlie is both Prince Charming the Big Bad Wolf, as likely to eat India
right up as he is to save her. In
fact, there’s an almost Biblical slant to Park’s queasy goings on with India as
Eve searching for truth, the estate a metaphorical Eden which she must outgrow
and Charlie both the serpent and the apple, tempting, seducing India with
knowledge.
The
film is lushly, beautifully shot, Park’s precise off-kilter compositions show
his usual visual flair and scenes are choreographed almost like a waltz,
creating a breathless, dreamlike atmosphere that gets under your skin. India’s world is a self-contained,
insular one where people are constantly observed, usually by India
herself. It’s an incestuous hotbed
that lacks only outright incest and the closer she gets to Uncle Charlie, the
closer that seems to come.
As
Evelyn, Nicole Kidman gives her best performance in years (possibly ever), a
passive/aggressive ice queen slowly unravelling, seemingly possessed by the
unquiet spirit of Joan Crawford, she’s a nervy, neurotic, fading beauty, needy
and resentful of the daughter she loves but will never understand, near the
film’s climax bitterly spitting at her impassive daughter: "I can't wait to watch life tear you
apart."
Matthew Goode meanwhile plays Uncle Charlie with lupine menace, his lazy
charm and preppy, anodyne good looks perfectly suited to the smooth
monster. The film belongs however
to Mia Wasikowska. So long the
best thing in mediocre films (Restless, Lawless, Tim Burton’s norovirus-bad Alice In Wonderland), you can’t take your eyes off her, she’s a carefully
contained, poised hurricane of carnal appetites, dark desires and homicidal
violence.
A
moody, psychosexual horror movie that’s beautiful, bold and perversely erotic, Stoker is the movie that you wished
you could have taken that 20-year-old Goth chick you dated in college to.
David Watson
Directed by:
Written by:
Produced by:
Starring:
Genres:
Drama, Horror,
Thriller
Language:
English
Runtime:
1 hour 38
minutes
Certificate:
18
Rating:
UK
Cinema Release Date:
Friday
1st March
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