Kill The
Irishman
In the Summer of
1976, more bombs went off in Cleveland, Ohio, than Belfast as a turf war
between local Irish gangster Danny Greene and the Mafia spiralled out of
control. Based on the book by Cleveland
Police Chief Rick Porello, Kill The Irishman is the astonishing true story of how Greene became (for a while
anyway) the man the Mob couldn’t kill.
Borrowing as
much from Angels With Dirty Faces as it does Goodfellas, Val Kilmer’s sympathetic cop Joe Manditski narrates the heroic
rise and just as inevitable fall of boyhood school chum, Irish-American tough
guy Danny Greene (Ray Stevenson).
A dockworker, sick of the corruption endemic in his local union, Danny
fights his way to the top, taking over the running of the docks and promptly starts
lining his own pockets in the process.
After a brief spot of bother with the authorities, Danny agrees to
become an informer for the Feds and begins a career as a leg-breaker for creepy
Jewish loan shark Shondor Birns (Christopher Walken) and a Mob enforcer and
friend to minor Mafiosi John Nardi (Vincent D’Onofrio) before striking out on
his own. But when a deal goes bad
Greene finds himself in a bloody war with the Cleveland Mafia and New York’s
Five Families. With a massive
bounty on his head, suddenly everyone is out to Kill The Irishman…
With it’s
flawless ‘70s period setting, a diddle-di-dee Oirish soundtrack and fat men in
sports jackets having sit-downs, drinking espresso and talking about respect, Kill
The Irishman could be
virtually any gangster movie of the last twenty years. What sets it apart are it’s powerhouse
performances. While Val Kilmer
doesn’t really have much to do other than sit around on the sidelines, looking
pensive and a bit porky as he tracks his former friend’s doomed trajectory,
Christopher Walken is as reliable as ever as the oily loan shark whose
duplicitousness kicks off the war, Vinnie Jones just plays Vinnie Jones again
(but he does play Vinnie Jones very well) as one of Greene’s loyal henchmen and
Vincent D’Onofrio is surprisingly sympathetic as the low-level mobster passed
over for promotion who turns his back on his roots and tradition and chooses to
ally himself with his friend over La Cosa Nostra.
Kill The
Irishman is Ray
Stevenson’s film though. After
spending much of his career as Jason Statham’s substitute in a series of
forgettable action movies (like director Hensleigh’s own Punisher movie),
Stevenson has in Greene his best part since the bull-headed Roman soldier Pullo
in HBO’s Rome. A sentimental lion of
a man who was also capable of ferocious violence, the real Greene styled
himself as an Irish-American Robin Hood, a Celtic warrior standing up to the
Italian Mob, and Stevenson is obviously having a whale of a time, giving a
charismatic, grandstanding performance as the cocky tough guy which hints at
his underlying sensitivity. His
Greene is an indomitable force of nature, an
While it works
through the usual gangster clichés, it’s worth bearing in mind that Kill The
Irishman is a true
story. Just because being made an
offer you can’t refuse is a Mafia movie cliché doesn’t mean to say that those
offers don’t get made in real life.
Sticking remarkably true to the real events and seamlessly blending
archive news footage, Kill The Irishman is a solid, dependable, gangster thriller.
David Watson
Director
Jonathan Hensleigh
Cast
Ray Stevenson, Christopher Walken,
Vincent D’Onofrio, Val Kilmer, Linda Cardellini, Robert Davi, Laura Ramsey,
Fionnula Flanagan, Vinnie Jones
Country
USA
Screenplay
Jonathan Hensleigh and Jeremy
Walters, based on the book To Kill The Irishman by Rick Porello
Running time
106min
Year
2011
Certificate
18
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